Research on Representation of Natural Imagery in Mongolian Landscape Oil Paintings

TAI. YULIANG; Bayartur Baljinnyam; Erdenetsog. ts.

doi:10.63313/ah.9020

Authors

TAI. YULIANG Mongolian National University of Education, School of Fine Arts and Technology, F.AR21F732, UB, Mongolia Author
Bayartur Baljinnyam Mongolian National University of Education, School of Fine Arts and Technology, UB, Mongolia Author
Erdenetsog. ts. Mongolian National University of Education, School of Fine Arts and Technology, UB, Mongolia Author

DOI:

https://doi.org/10.63313/ah.9020

Keywords:

Mongolian oil paintings, landscape paintings, natural imagery, nomadic culture, artistic innovation

Abstract

The research conclusion indicates that this paper has deeply explored the artistic representation and cultural connotations of natural imagery in Mongolian landscape oil paintings. Through the analysis of historical classic works, it systematically expounds the artistic transformation mechanism of regional landscapes such as grasslands and deserts. The research shows that Mongolian landscape oil paintings emphasize a grand sense of space in their spatial construction, have pure and bright color language, and create a unique aesthetic character. These creations are not only visual presentations of natural scenery, but also artistic carriers of the spiritual core of the nomadic civilization. Contemporary artists, while inheriting traditional themes, have injected contemporary vitality into Mongolian landscape oil paintings through media innovation and form exploration. The research results have expanded the academic scope of Mongolian art research, provided a typical example for cross-cultural art exchange research, and has important reference value for the modern transformation of traditional art.

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