The Evolution of the Artistic Expression of Ujimqin Costume
DOI:
https://doi.org/10.63313/ah.9037Keywords:
Ujimqin Costume, Artistic Expression, Evolution LawAbstract
The Ujimqin costume stands as a quintessential embodiment of Mongolian costume artistry, with its artistic expressions evolving dynamically through historical progression. This study examines the Ujimqin costume's artistic manifestations in form, patterns, color schemes, and craftsmanship. Employing a diachronic comparative research methodology, it systematically traces its evolutionary trajectory from traditional nomadic times to modern eras. The research aims to reveal the specific patterns of its artistic language's adaptation to social transformations, innovations in production techniques, and cultural exchanges. It analyzes how the costume achieves artistic innovation and adaptation while preserving its core aesthetic and cultural identity. This study holds significant reference value for understanding the temporal transformations of grassland ethnic art and the living inheritance of intangible cultural heritage.
References
[1] Amurbatu, ed., Mongolian Patterns [M], Hohhot: Inner Mongolia University Press, 2005.
[2] Wuyun, Aesthetic Characteristics of Mongolian Costume in the Yuan Dynasty [D]. Hohhot: Inner Mongolia Normal University, 2005.
[3] Dai Ping, On the Color of China National Costume [J]. Journal of Shanghai Theatre Academy, 2000, (1).
[4] Amurbatu. Mongolian Visual Arts [M]. Hohhot: Inner Mongolia People's Publishing House, 2017.
[5] Viktorova, S. (2004). Mongolian Costume and Its National Identity. Mongolian Studies Information, 2004, (1):24-31.
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