Art Horizons ISSN: 3079-5176 EISSN:3079-5184
The Evolution of the Artistic Expression of Ujimqin Costume
The Ujimqin costume stands as a quintessential embodiment of Mongolian costume artistry, with its artistic expressions evolving dynamically through historical progression. This study examines the Ujimqin costume's artistic manifestations in form, patterns, color schemes, and craftsmanship. Employing a diachronic comparative research methodology, it systematically traces its evolutionary trajectory from traditional nomadic times to modern eras. The research aims to reveal the specific patterns of its artistic language's adaptation to social transformations, innovations in production techniques, and cultural exchanges. It analyzes how the costume achieves artistic innovation and adaptation while preserving its core aesthetic and cultural identity. This study holds significant reference value for understanding the temporal transformations of grassland ethnic art and the living inheritance of intangible cultural heritage.
Copyright (c) 2026 by author(s) and Erytis Publishing Limited. https://creativecommons.org/licenses/by/4.0/
Research on the Strategy of Lemoncello for Macao's Characteristic Snack Brand Based on Honeycomb Model
Driven by the tourism industry, the characteristic snack brands in Macao have gradually come to the fore. Lemoncello, as a local innovative brand, has attracted a large number of consumers with its healthy ingredients and unique flavors, demonstrating huge market potential. With the intensification of competition, how brands optimize their marketing strategies has become an urgent problem to be solved. Objective: To analyze the brand strategy and market positioning of Lemoncello using Dentsu's Honeycomb Model, and to provide theoretical guidance and practical reference. The method research adopted a combination of field investigation and consumer interviews, and conducted a multi-dimensional analysis of the brand's symbols, characteristics, functional benefits, emotional benefits, etc. in combination with Dentsu's Honeycomb Model. The conclusion is that Lemoncello has achieved remarkable results in brand building, especially in product innovation and health positioning. However, there is still room for improvement in brand story and emotional interaction. Optimizing brand communication and consumer experience will help Lemoncello further consolidate its market position and achieve sustainable development.
Research on the Audience’s Ability to Identify AI-Generated Pop Music
With the rapid development of generative artificial intelligence in the field of artistic creation, AI composition technology has been widely applied. The music it creates is increasingly similar to human works, making it difficult for listeners to distinguish AI-created popular music. This study aims to deeply explore the audience's ability to recognize AI-created popular music, the factors influencing recognition, and the impact of the characteristics of AI-created music on recognition. The research adopted the questionnaire survey method. Through the data analysis of the returned questionnaires, it provided references for music creation, the music industry, and the improvement of AI's independent creation capabilities.
On the Zen Expression in Bamboo Installation Art
This study investigates the manifestation of Zen principles and aesthetics within bamboo installation art, exploring its impact on the viewer's experience and comprehension of Zen philosophy. Recognizing a gap in existing literature, which primarily addresses Zen influence on traditional arts or the general use of natural materials, this research focuses specifically on the intersection of Zen and bamboo installation. The investigation identifies and analyzes specific Zen principles, such as mindfulness, impermanence, and emptiness, as expressed through the materiality, form, and spatial arrangement of selected bamboo installations. It examines how bamboo, with its inherent qualities of flexibility, resilience, and naturalness, serves as a medium for conveying Zen philosophy. Furthermore, the research explores the immersive nature of installation art and its potential to facilitate a deeper engagement with Zen concepts, considering the relationship between the artist's intention and the viewer's interpretation. The findings contribute to a framework for understanding and appreciating bamboo installation art through a Zen lens, highlighting its capacity to promote self-reflection and awareness. This study ultimately aims to enrich the understanding of contemporary art by illuminating the confluence of traditional materials, spiritual philosophies, and experiential aesthetics.
Copyright (c) 2026 by author(s) and Erytis Publishing Limited. https://creativecommons.org/licenses/by-sa/4.0
A Review of Current Research on "Langqiao Wooden Combs" at Home and Abroad
As a significant carrier of Huizhou culture, Langqiao wooden combs from Jing County possess both profound historical significance and industrial cluster advantages. Their craftsmanship was included in the Anhui Provincial Intangible Cultural Heritage List in 2014. However, the current mid-to-high-end wooden comb market still faces issues such as insufficient visual design and inadequate promotion of cultural added value.This paper systematically reviews domestic and international research on wooden combs. It finds that domestic studies predominantly focus on the history, craftsmanship, and product innovation of Changzhou combs, while neglecting Langqiao combs—which command nearly 70% of the global wooden comb market—particularly in brand image design and cultural dissemination.Overseas research emphasizes archaeological discoveries, functional evolution, and folkloric significance of wooden combs, with limited direct examination of Langqiao wooden combs. By reviewing existing literature, this paper highlights the imbalance between academic attention and market recognition of Langqiao wooden combs. It aims to provide theoretical guidance for future research on brand building and cultural dissemination of intangible cultural heritage wooden combs, thereby supporting the contemporary transformation of traditional Chinese crafts and fostering cultural confidence.
Copyright (c) 2025 by author(s) and Erytis Publishing Limited. https://creativecommons.org/licenses/by-sa/4.0
Constructing Black-and-White Printmaking Images on High-Fired Color Glaze Backgrounds
This study examines how black-and-white linework interacts with high-fired color glazes in the formation of images on ceramic surfaces. During firing, high-fired glazes undergo melting, diffusion, and flowing, creating tonal layers, natural traces, and subtle transitions that arise from the material’s own behavior. These unpredictable yet visually coherent changes form the foundational background of the image. The lines applied after firing, in contrast, retain clarity and structural stability, providing direction and visual focus that organize the otherwise spontaneous glaze patterns. Close observation of glaze thickness, line density, and spatial rhythm reveals that deeper glaze areas intensify the visual weight of the lines, while lighter glaze regions soften their presence; the spacing of the lines establishes the value structure, and the dialogue between line direction and glaze movement shapes the overall rhythm of the composition. The findings indicate that the formation of ceramic imagery is not the outcome of a single technique but the result of ongoing coordination between natural glaze behavior and deliberate linear expression. Understanding this relationship offers insight into the visual logic of ceramic image-making and provides a new perspective for integrating high-fired glaze effects with linear artistic languages.
Digital Reconstruction of Traditional Auspicious Imagery
Traditional auspicious images, as important visual symbols of traditional Chinese culture, carry auspicious meanings, political symbols, and moral ideals. Evolving over thousands of years, they have formed a unique visual system with Eastern aesthetics. Faced with the changing context of globalization and the digital age, the inheritance and innovative expression of traditional auspicious animal images urgently require new paths. This paper takes typical auspicious images as its research object, systematically reviews their historical evolution and cultural connotations, explores the application mechanism and case results of AI-generated images in the digital reconstruction of traditional auspicious animals, and analyzes the similarities and differences between Chinese and Western auspicious symbols in visual language and cultural symbolism. Through empirical research on the "National Trend Pattern Project," it reveals how digital media empowers the contemporary expression and international dissemination of traditional images, and proposes a systematic path integrating visual strategies, narrative reconstruction, and cross-media communication.
A Brief Analysis and Performance of Chopin's "Grande Valse Brillante，Op.18"
Frédéric François Chopin, a great Polish pianist and composer of the Romantic period, devoted almost all of his creative activities to piano music, holding a pivotal position in this field. This paper takes Chopin's representative work, "Grande Valse Brillante," as the research object. Based on a brief introduction to Chopin's biography and the background of the composition, it analyzes the technical characteristics of the work from the dimensions of harmonic form, formal structure, compositional techniques, melodic features, rhythmic type and treatment, and emotional expression. Combining training and performance experience, it summarizes the performance techniques, thereby gaining a deeper understanding of the compositional style and key performance points of the piece.
From Combat Technique to Narrative: A Study on the Intertextual Construction of Wushu and Wuxia
Employing methods such as the literature review and through logical analysis, this study conducts an in-depth exploration of the functional transformation and symbolization process of Chinese Wushu in its historical evolution. It ana-lyzes the intertextual relationship formed between Wushu and Wuxia, aiming to reveal how Chinese Wushu has gradually evolved into a core symbol in Wuxia narratives through cultural coding and media transformation. The research shows that in the process of Wushu's transformation from physical technique to symbolization, and then to narrative, it not only shapes a unique aesthetic sys-tem, but also profoundly reflects the view of body and ethics embodied in Wu-shu, as well as its adaptation and reshaping in the context of the new era.
The Stylized Characteristics of Imperial-Court Meticulous Flower-and-Bird Paintings in the Song Dynasty and Their Influence on Later Generations
This study investigates the evolution and enduring impact of the unique stylistic characteristics found in Imperial-Court meticulous flower-and-bird paintings (Gongbi Hua Niao) during the Song Dynasty (960-1279). It analyzes how the Song Dynasty's emphasis on realism, naturalism, and symbolic content, fostered by Imperial patronage and the Imperial Painting Academy, shaped the trajectory of Chinese painting. The research identifies the defining features of this style, including its refined techniques, vibrant colors, and detailed depictions of flora and fauna. It then traces the influence of these features on subsequent genera-tions of Chinese painters across the Yuan, Ming, and Qing dynasties. By exam-ining specific examples of paintings from later periods, the study demonstrates the continuation and adaptation of Song Dynasty techniques and aesthetics. The investigation reveals how the Imperial Painting Academy standardized tech-niques and promoted a specific aesthetic vision, ensuring the dissemination and longevity of this style. Furthermore, the research explores the philosophical un-derpinnings of this artistic tradition, including Daoist and Confucian influences, and evaluates its cultural significance. The study contributes a refined under-standing of the technical evolution of painting techniques across different dyn-asties and highlights the lasting legacy of Song Dynasty Imperial-Court painting.
Some results of research on the development of students’ technical thinking
The development of modern science and technology is directly related to the level of technical skills and technical thinking that enable people to perceive the real world, apply it to their daily lives, and design various tools and technologies starting from simple instruments. Considering global development trends, Mongolia’s national development policy, and the current situation of the “Design and Technology” subject in secondary schools, it is important to study the level of students’ technical thinking in general education and to identify effective methodologies for its development.
A brief study on the influence of Byzantine music on the development of eastern and Western music
The Byzantine Empire, steeped in religious fervor and imperial authority, shaped music with distinct spiritual dimensions. While its musical forms and development paths remained relatively homogeneous, the Byzantine legacy profoundly influenced Western music particularly church music and holds a pivotal position in the history of Western musical evolution.
A Semiotic Perspective on Urban Brand Image Design: The Case of Macao
As an international hub for tourism and leisure, Macao possesses significant potential for urban brand reconstruction due to its unique Sino-Portuguese cultural elements and advantageous geographical position. Semiotic theory provides a fresh lens through which to revitalize urban brand images. By applying semiotic methods, this study deconstructs and reorganizes Macao’s urban symbols, extracting those deeply rooted in its cultural heritage to construct symbolic representations of the city’s brand identity. The objective is to employ semiotic approaches to explore the core system of urban symbols within Macao’s brand, and to propose corresponding strategies for brand image development. This research aims not only to offer services for urban brand construction, but also to build a perceptible and resonant brand image, thereby enhancing Macao’s global influence and competitiveness.
Therapeutic Mechanisms of Art: An Interdisciplinary Exploration of How Painting Facilitates Psychological Healing and Well-being
Art therapy, with painting as its central modality, has garnered substantial empiri-cal support as an effective intervention for a spectrum of psychological disorders. This comprehensive paper delves into the multifaceted mechanisms through which the act of painting facilitates mental health recovery and promotes overall well-being. By synthesizing perspectives from clinical psychology, neuroscience, sensory integration theory, and aesthetics, we propose a novel integrated frame-work that elucidates how painting engages cognitive, emotional, sensory, and so-cial processes. A systematic and extensive review of empirical literature from 2000 to 2024 robustly supports the efficacy of structured and unstructured paint-ing interventions in significantly alleviating symptoms of depression, anxiety, post-traumatic stress disorder (PTSD), and enhancing emotional regulation, self-concept, and resilience. The paper argues that painting serves as a powerful non-verbal medium for externalizing and processing complex emotions, facilitat-ing cognitive restructuring, accessing pre-verbal trauma memories, and fostering a profound sense of agency and accomplishment. Furthermore, it explores the neu-robiological underpinnings, including the role of the default mode network (DMN), stress hormone regulation, and neural plasticity. The conclusion empha-sizes the transformative potential of integrating painting into mainstream thera-peutic practices while acknowledging limitations in current research methodolo-gies. The paper culminates with strong recommendations for future research direc-tions, including the standardization of evidence-based protocols, longitudinal studies, the exploration of cross-cultural applications, and the investigation of digital painting's therapeutic efficacy.
Design of greenhouse four seasons pear pollination UAV based on AHP _ QFD _ TRIZ integrated theory
In order to solve the problem of insufficient pollination caused by the closed internal environment of greenhouse and the lack of natural pollination media, improve the traditional pollination work,expand its use function, and meet the diversified needs of contemporary people, a greenhouse four-season pear polli-nation UAV was designed. The research interview method was used to summa-rize the user demand categories, and the AHP analytic hierarchy process was used to calculate the weight of each user demand. Using QFD quality function deployment to transform user needs into technical needs, and then get conflicts; through the separation principle and contradiction matrix of TRIZ innovation theory, the best method to solve the technical and physical contradictions is found out in 40 invention principles, and the ideal scheme is finally obtained. By integrating AHP, QFD, TRIZ and other theoretical models, it is put into the de-sign and development process of pollination UAV, and a greenhouse four-season pear pollination UAV is designed, which further verifies the scientificity and ra-tionality of the design process. The design process can provide reference for product design and development.
Greenhouse Four Seasons Pear Pollination UAV
Evaluating the professionalism of Teachers of: Design and Technology, Technical Drawing, and design: an analysis of programme learning outcomes
The development of teachers' professional knowledge and skills is influenced by several factors, which require a comprehensive consideration of the selection of applicants for the teaching profession, the opportunities for teacher development in the workplace, and the content and organization of the program. We assessed teachers' professional knowledge and skills using the annual assessment of educational activities "Teacher Assessment; Ineffective". For this, we selected a total of 1096 assessments of teachers of design-technical drawing and technology subjects in grades 6-11. To assess the effectiveness of these teachers' pedagogical activities, we analyzed the academic achievements of students. We found that these achievements were insufficient.
Research on Palace Museum Cultural Creative Product Design from the Perspective of Spatial Triad Theory
With the continuous enhancement of China's cultural soft power, the cultural and creative (cultural-creative) industry has become a crucial pathway for dis-seminating the national image. The Palace Museum's cultural-creative products, as a representative case, play a distinctive role in international cultural com-munication. However, current research predominantly focuses on visual sym-bols and marketing strategies, lacking a deconstruction of its cultural commu-nication logic from the perspective of social space. Based on Henri Lefebvre's spatial triad theory, this paper constructs an analytical framework of "spatial practice—representations of space—representational spaces". Through case studies and data mining of Taobao customer reviews, it explores the spatial at-tributes of the Palace Museum's cultural-creative products. The research indi-cates that these products achieve the modern translation of traditional culture through three dimensions: daily usage scenarios, cultural narratives, and emo-tional identification. Furthermore, it proposes cultural-creative design strate-gies centered on "form—meaning—emotion".
Palace Museum Cultural-Creative Products
Research on Representation of Natural Imagery in Mongolian Landscape Oil Paintings
The research conclusion indicates that this paper has deeply explored the artistic representation and cultural connotations of natural imagery in Mongolian landscape oil paintings. Through the analysis of historical classic works, it systematically expounds the artistic transformation mechanism of regional landscapes such as grasslands and deserts. The research shows that Mongolian landscape oil paintings emphasize a grand sense of space in their spatial construction, have pure and bright color language, and create a unique aesthetic character. These creations are not only visual presentations of natural scenery, but also artistic carriers of the spiritual core of the nomadic civilization. Contemporary artists, while inheriting traditional themes, have injected contemporary vitality into Mongolian landscape oil paintings through media innovation and form exploration. The research results have expanded the academic scope of Mongolian art research, provided a typical example for cross-cultural art exchange research, and has important reference value for the modern transformation of traditional art.
Research on Inheritance and Development of Korqin Printmaking from the Perspective of New Media
This study takes the Korqin woodblock prints as the research object and explores the application paths of new media technologies in their inheritance and development. Through the review of existing literature and the analysis of typical cases, the study finds that the traditional inheritance model faces challenges such as geographical restrictions and an aging audience， while new media technologies offer new possibilities to break through these limitations. The research focuses on three main paths： digital protection， virtual reality technology， and social media dissemination. It proposes that under the premise of maintaining the authenticity of the art， innovative inheritance of Korqin woodblock prints can be achieved through multi-platform collaboration， immersive experiences， and participatory dissemination. The research indicates that the reasonable application of new media technologies can effectively expand the audience range and enhance the dissemination effect， but it is necessary to pay attention to the balance between the accuracy and professionalism of cultural expression. This study provides theoretical references and practical guidance for the digital inheritance of traditional arts.
Research on Protection and Restoration of the Paintings in Yongle Palace Based on the Theory of Dynamic Conservation
This study takes the murals of Yongle Palace as the research object and uses the theory of dynamic protection to explore its protection and restoration strategies. Through literature review and on-site investigation, it analyzes the dynamic characteristics of traditional restoration techniques and the current challenges in their inheritance, and proposes innovative paths such as digital protection, integration of technology and traditional craftsmanship, and community participation. The study finds that the theory of dynamic protection provides new ideas for the sustainable protection of the murals of Yongle Palace. While respecting the essence of traditional craftsmanship, it realizes the activation of cultural inheritance through modern technological means and community participation. The research results provide theoretical references and methodological inspirations for the protection practice of large-scale mural cultural heritage in China.
Exploration of Artistic Expression of Dayu Cultural Resources from the Perspective of Cultural Tourism Integration
The author's article mainly focuses on the artistic transformation of Dayu cultural resources through the integration of culture and tourism. It mainly elaborates from four aspects: landscape design, performance, cultural creativity, and digitalization. From the perspective of the integration of traditional culture and tourism industry, the author considers how to break through the artistic barriers in Dayu culture, integrate culture and tourism into a journey, and add a story while experiencing culture, which plays a certain role in promoting the development of cultural tourism integration.
Digital Design and Promotion of Derivatives of Bengbu Time-honored Brands
In the digital age, the core development proposition of Bengbu's time-honored brand is to seize digital opportunities, respond to transformation challenges, and achieve sustainable development through innovation and digital integration. Digital technology provides a new path for it to break through geographical limitations, expand online markets, and enhance influence. Social media and digital tools help with cultural dissemination and user experience upgrades; However, issues such as brand aging, insufficient innovation, and intensified competition have also forced it to make digital design and promotion its core strategy. The article emphasizes that time-honored brands need to leverage 3D modeling, VR/AR, and other technologies to empower product innovation while preserving their cultural connotations. By combining social media marketing, cross-border cooperation, and offline experiential activities, a diversified promotion system can be constructed to achieve the dual goals of brand culture inheritance and market competitiveness enhancement. This is not only an inevitable choice to address the challenges of the times, but also a key path to rejuvenate.
Somaesthetics reconstruction and creative transformation of intangible cultural heritage dance: contemporary expression of traditional vocabulary
This study explores the creative transformation and aesthetic reconstruction of intangible cultural heritage (ICH) dance through the lens of Richard Shuster-man's somaesthetics, focusing on the traditional Chinese Nuo dance. It analyzes how choreographers can deconstruct and reconstruct traditional body vocabu-lary to achieve contemporary expression while preserving cultural integrity. Drawing from case studies, neuroanthropology, and movement analysis, the re-search establishes a transformation model from cultural genotype to phenotypic expression. By integrating embodied knowledge, improvisation mechanisms, and choreography theory, it proposes a paradigm shift from element borrowing to system reconstruction. This contributes to building a sustainable, dynamic pathway for ICH dance in the modern aesthetic context.
A Study on John’s Survival Predicament in Brave New World
Brave New World is a novel written by Aldous Huxley in 1931. Brave New World depicts a future world more than 500 years later, where human life is rich, sci-ence and technology are highly developed, people accept a variety of re-strictions and education satisfied with the status quo, everything is standardized and unified, and people’s desires can be satisfied anytime and anywhere. How-ever, John, as a Savage living on a Savage Reservation, finds himself greatly im-pacted and faced with a serious survival predicament when he is confronted with the completely different moral concepts and lifestyle of Savage Reservation and World State. In view of this, this thesis adopts the text analysis method to interpret John’s survival predicament in Brave New World. First, this thesis an-alyzes John’s cultural struggle and social exploration in the Savage Reservation. Secondly, it analyzes the survival crisis and moral predicament John encoun-tered when he came to a World State, where completely different from his orig-inal living environment. Finally, through the analysis of John’s death, the author reveals the complicated situation he is facing, thus demonstrating the author’s dystopian intention. After analysis, this thesis believes that although the World State in the novel seems to be a world where people can live without worry, but excessive mechanization and technological control will bring serious conse-quences, and cause many people to doubt and despair about their identity and real life. The interpretation of Brave New World from the perspective of John’s survival predicament not only provides a new research perspective for the nov-el, but also provides a warning and educational summary for the high degree of control brought about by the rapid development of technology in modern soci-ety.
An Exploration of Philip’s Upbringing in Of Human Bondage
Of Human Bondage is a growing-type novel, which tells the story of the com-plete life process of the protagonist Philip from childhood to marriage, finding freedom in the shackles of family, love, friendship, campus, art and ideals. His upbringing was full of struggles. The physical defects, the loss of parents from childhood, the road to study is bumpy, and the face of many difficulties in love. Every step of his life is a testament to his freedom from bondage. This paper mainly interprets Philip’s growth experience from the perspective of Erikson’s personality development theory and analyzes how he continues to mature psy-chologically and emotionally, and finally obtains inner freedom and peace, as well as the personality characteristics presented in different life stages. At the same time, combined with the literary classic of the theme of growth, this paper discusses the profound enlightenment about human nature, growth and the meaning of life shown in the novel, which provides guidance and thinking for us when facing the difficulties of life.
Erickson’s Theory Of Stages Of Psychosocial Devel-Opment
An Exploration of Briony’s Atonement in McEwan’s Atonement
Atonement is one of the classic masterpiece of the renowned British author Ian McEwan, published in 2001, which narrates a tale encompassing themes of love, guilt, and war. Within the realm of literature, the examination of the growth and psychological evolution of female characters has consistently been a significant subject of interest. As feminist criticism has evolved, an increasing number of literary works have begun to delve into the inner lives of female characters and trace their developmental paths amidst societal transformations. This paper will explore the reasons behind the formation of Briony’s character traits and the impact of her upbringing on her development. It will analyze how these factors have shaped her character and the influence of Briony’s atonement on her own fate as well as that of others. In terms of theoretical application, this study will integrate Freud’s personality theory to dissect Briony’s psychological changes and the process of self-awareness, using this framework to elucidate her growth and the motivations behind her acts of atonement. By investigating Briony’s journey of atonement, this thesis not only uncovers the deep exploration of hu-man nature and profound reflection on social realities within literary works but also offers new perspectives and approaches for research in related fields. Through a comprehensive analysis of Briony’s character from her portrayal, growth, and atonement, this thesis aims to provide a nuanced understanding of her development and the broader implications of her actions within the narra-tive of Atonement.
Red Spirit Inheritance in Chinese National Opera
This thesis focuses on the inheritance of the red spirit in Chinese opera, analyzing its characteristics and evolution in terms of connotation construction, artistic carriers, and inheritance mechanism by combing through classic red operas of different historical periods. From the Yan'an period to the new era, the red spirit has undergone a value transmutation from class narrative to people's narrative in opera. Artistic carriers such as music, literature and stage have become the key codes for the inheritance of the red spirit, while the inheritance mechanism has gradually shifted from political preaching to cultural consciousness. In the face of contemporary challenges, red opera needs to innovate in content, form and dissemination, so as to realize the intergenerational inheritance of the red spirit and the development of the times.
Digital Reconstruction of Dunhuang Caisson Patterns Incorporated into Interface Design Driven by Innovation
Information visualization design is an emerging communication style in the field of media communication, this paper analyzes the elements, symbols and colors of Huangmei Opera from the perspective of visualization design, and ex-plores the design process, content and methodology of the "Picture Description of Huangmei Opera" series of posters and derivatives design practice as an ex-ample. We also take the "Huangmei Opera" series poster design and derivative design practice as an example to explore the design process, design content and design method of information visualization design, to present the art form of Huangmei Opera to the audience in a more intuitive and attractive way, and to provide feasible solutions for the inheritance and innovation of excellent tradi-tional culture.As a treasure of Dunhuang culture and art, the Dunhuang algal well pattern contains rich historical and cultural connotations and exquisite artistic skills, and has immeasurable artistic aesthetic value and diversified ap-plication value. In the context of innovation-driven, the integration of Dunhuang zaojing pattern into interface design and digital reconstruction can not only inherit and carry forward Dunhuang culture, but also inject new vital-ity into the interface design. The article introduces the content and characteris-tics of Dunhuang zaojing pattern, analyzes the feasibility and value of its inte-gration into interface design, discusses the methods and paths of digital recon-struction, and analyzes it through actual cases, aiming to provide theoretical support and practical reference for promoting the deep integration of Dunhuang culture and modern interface design.
Research on the Artistic Characteristics and Aesthetic Connotations of Folk Paper-Cutting in Northern Anhui
Northern Anhui folk paper-cutting, a treasure of Chinese folk art, has a unique artistic charm. This study takes paper-cutting among the northern Anhui folk art as its object, comprehensively utilizing the research methods of literature colla-tion, field study, and in-depth analysis from both art and sociological perspec-tives. The unique artistic style of folk paper-cutting in northern Anhui Province, along with its remarkable aesthetic characteristics, is discussed in depth. The analysis of its historical origin, artistic characteristics, and aesthetic inner value further reveals the important value of northern Anhui folk paper-cutting in the field of art, in order to enhance awareness of its inheritance and protection
Reasons For The Formation Of Miao Ritual Music In Chengbu County
The Miao is one of the ethnic minorities in China with a long history, with frequent migrations and strong cultural conservatism, especially good at passing on beliefs and traditions through music and dance. Over a long period of historical evolution, the Miao gradually migrated southward and settled in the Chengbu area in southwestern Hunan Province, forming a unique Miao cultural colony. As the Miao population in Chengbu County, Hunan Province, is in the majority, traditional ritual music continues to play an important role in religious beliefs, subsistence practices, and family heritage. Studying the ritual music of the Miao in Chengbu not only helps to restore the living heritage of Miao history and culture, but also provides a typical example for the protection and development of multi-ethnic music culture in China.