Exploring the Folk Meanings of Online Fiction: A Case Study of Farming Novels
DOI:
https://doi.org/10.63313/LLCS.9055Keywords:
Farming novels, online fiction, motifs, culinary themes, emotional catharsisAbstract
Unlike epic genres such as martial arts and fantasy, farming novels have become popular for their realistic depictions of everyday life. This study explores the folk meanings embedded in Chinese online farming novels, with an emphasis on their narrative structure, central motifs, and cultural values. Through motif analysis, this paper identifies two core themes: getting rich and finding love. Typically, narratives feature ordinary female protagonists overcoming hardships through wisdom and diligence to achieve happiness and prosperity. Labor and culinary themes play crucial roles, highlighting traditional virtues such as diligence and simplicity, while providing emotional comfort and psychological relief. Farming novels consistently follow a stable narrative pattern, offering emotional catharsis and moral reassurance by contrasting rural tranquility with modern urban pressures. Ultimately, farming novels reflect a shift toward realistic, grassroots storytelling in Chinese online fiction, resonating with contemporary desires for everyday success and domestic contentment. The study concludes by proposing avenues for innovating narrative motifs to sustain the genre’s appeal and relevance.
References
[1] C. Wright Mills. (2016). White Collar [White Collar]. Trans. Zhou Xiaohong. Nanjing Univer-sity Press.
[2] Ding Xiaohui. (2017). Alan Dundes Minsuxue Yanjiu [Studies on Alan Dundes’ Folkloristics]. Shehui Kexue Wenxian Chubanshe, pp. 91–92.
[3] Dong Xiutuan, Duan Shujie. (2022). Classification and Structural Pattern Recognition of Orphan Stories in Ethnic Minorities of Yunnan. Wenhua Yichan, 2022(03): 125–134.
[4] Georg Simmel. (2001). Philosophie der Mode [The Philosophy of Fashion]. Trans. Fei Yong. Culture and Art Publishing House, p. 29.
[5] Kang Li. (2005). Clusters of Story Types and Plot Types: A Study of Chinese Clever Women Stories (Part 1). Minzu Yishu, 2005(03): 76–88.
[6] Li Hao. (2013). Revival of New Sentimental Novels: A Brief Discussion on the Popularity of Farming Fiction. Contemporary Literary World, (05): 64–67.
[7] Liu Yunxia, Zhang Lihua, Xing Man. (2018). Women’s Awakening, Anxiety, and Compro-mise: Analysis of Female Writing in Farming Fiction. Journal of Mudanjiang Education College, (10): 1–5.
[8] Olrik, Axel. (1999). Epic Laws of Folk Narrative. In Alan Dundes (Ed.), International Folk-loristics. Rowman & Littlefield Publishers, Inc.
[9] Qi Lingyun, Wan Jianzhong. (2019). A Rethinking of the Concept of “Motif”: On the Termi-nology System of Narratology. Minsu Yanjiu, 2019(04): 89–98+159.
[10] Si Di Thompson, Zheng Hai (trans.). (1991). Shijie Minjian Gushi Fenlei Xue [The Types of the Folktale]. Shanghai Wenyi Chubanshe, p. 499.
[11] Wang Zihan, Luo Zongyu. (2016). An Analysis of "Jinjiang Literature City" Women’s Liter-ature Website. Journal of Huaihua University, 35(09): 27–30.
[12] Wei Xiaotong. (2017). Return, Redemption, Demystification: Popular Elements and Liter-ary Value of Farming Fiction. Literary Review, (12): 77–83.
[13] Wu Xiaoling, Zhang Xiao. (2018). The False Awakening: An Exploration of Female Con-sciousness in Farming Fiction. Tianfu New Forum, (02): 131–138.
[14] Zhang Xiao. (2017). A Study on Audience Psychology and Behavior in Farming Fiction. Modern Media, 25(05): 84–86.
[15] Zhang Xiaoke. (2013). A Brief Discussion on the Development Status of Farming Fiction in Online Novels. Young Writers, (07): 36.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 by author(s) and Erytis Publishing Limited.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.