Reception Aesthetics and the Remaking of Classic Film and Television Series: A Critical Analysis

Abstract

The remakes of classic film and television series represent a meticulously planned artistic endeavor that enriches and diversifies China’s film and televi-sion industry. From the perspective of reception aesthetics, grasping the diverse needs of the audience is paramount to the success of these remakes. To achieve this, it is essential to fully consider the psychological needs of the audience and construct a common discourse space that transcends temporal and spatial boundaries. Such an approach not only evokes widespread resonance but also caters to the “horizon of expectations” across different audience groups. By adapting to shifts in the communication landscape and proactively stimulating the audience’s anticipation, these classic stories can be rejuvenated with new vitality in the modern era.